Posts Tagged ‘film’

20. – 22.4. Avant Garde Film Workshop

| 13.03.2012

Avant Garde FilmWorkshop with Paul Prendergast

A three day workshop as an introduction to, historical analysis of and detailed exploration of Avant Garde Film Production, focusing on the films, filmmakers and film movements that have defined Avant Garde film production over the last century and continue to define the movement today.
A particular emphasis will be placed on Avant Garde film as a subversive art and its articulation as an anti establishment filmmaking process.

Many of the films discussed will be accompanied by Detailed Film Viewing Sessions.

Some of the workshops aims include: 
Introducing participants to a detailed overview of Avant Garde Film production; its concepts, aesthetics, techniques and ideologies.
Exposing the participants to rarely seen avant garde films.

Through discussions about and viewing sessions of these Avant Garde Films that this exposure may act as a creative catalyst to encourage participants to create Avant Garde work of their own.
The workshop will not be conducted in a chronologically linear fashion but will instead focus in on and make thematic connections between particular critical sub genres of the Avant Garde film movement. This approach will assist in clarifying the connections or otherwise between much earlier produced avant garde film production and more contemporary Avant Garde practice today.

Some of the Avant Garde sub genres to be discussed will be: 
Futurist Cinema Manifesto
The Revolutionary Russian Avant Gardists
Surrealist Cinema
European Avant Garde Filmmakers of the 1920s and 1930s
Experimental Animation
The Post War American Avant Gardes
Experimental Documentary Forms
The US avant gardes of the 1950s and 1960s
Metaphoric Cinema
The European Avant Gardes of the 1960s and 1970s
Underground Film
Found Footage and Collage filmmakers
Expanded Cinema
Structural Film
Feminist film
The Cinema of Transgression
Avant Garde in the 21st century – where are we now? – The digital revolution (weiterlesen …)

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OpenIndie: 100 pioneering filmmakers embrace modern cinema

| 2.10.2009

Just came across this new project by Arin Crumley, the guy who also did four eyed monsters which I really enjoyed and I also asked myself, if the podcast stories along with the 90-minutes movie are true or fake as a viral commercial campaign …

So check his new project and let me know what you think …

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TRASH Kurzfilmfest 26.9. Babylon Mitte

| 24.09.2009

Die neue Generation selbstbestimmter Filmemacher präsentieren mit Famusfilm.de ihre brandaktuellen TRASH-Kurzfilme. Eingeläutet wird das Festival mit einem Drehbuch-Workshop. Gefolgt von 6 Stunden brillianter Kurzfilmunterhaltung, gebunden in einem exklusiven Live Show-Paket mit Preisverleihung und Überraschungen.
Das TRASH-Kurzfilmfest 2009 am Samstag, den 26.September im Babylon Mitte.
Einlass um 15:00 Uhr, Eintritt: Vorverkauf 8,50 EUR / Abendkasse 10 EUR

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Reynold Reynolds: Six Easy Pieces

| 24.09.2009

Exhibition September 5th – October 17th 2009
Opening Friday September 4th 19h

Curated by Paz A. Guevara

For the first time the video artist Reynold Reynolds has moved his entire studio into the art space, producing his new film-works live to the audience. During the exhibition the activity of setting up and shooting become six film-performances within an evolving set installation. The live construction of the image destroys the illusion of film, revealing the whole studio process as art.
Bruce Nauman had the simple but profound realization: “If I was an artist and I was in the studio, then whatever I was doing in the studio must be art. At this point art became more of an activity and less of a product.” In this project, film is not only perceived as a projection of what was recorded, but as an on going action. Set up, shooting, editing and projection are taken out of the studio to occur in the art space. The spectator will no longer observe a projected surface, but will be immersed in cinema pieces that combine actions, objects and film.

Using a motion control system, a photo camera, and frame-by-frame technique, the images shine instantaneously to the public. Reworked through the technique of montage, the stills become a flow of 25 frames per second. Between photography and assembled oscillation of lights, Reynolds’ film is constructed and destroyed by its minimal parts.

Immersed in the installation, the viewer gives attention to the set and reality beyond the frame. Tracks, spotlights, fake walls, scientific artifacts, mathematical tools, rare music instruments and everyday objects depict a contemporary Wunderkammer. The ‘cineficated’ gallery makes public the difference between performance and documentation; self and representation; camera and eye; objective and subjective view.
(weiterlesen …)

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